The Trophy About: After a job interview, Jerry reflects on the days of his youth. Created for the 2016 My Rode Reel contest, The Trophy was shot on the Black Magic Cinema Camera 2.5k EF mount with Rokinon XEEN 24mm and 50mm cinema lenses. The film was edited in Adobe...
In-Depth Review: CAME-TV 1200 Watt HMI PAR About: If you’re in the market for an HMI light but don’t know whether or not you can trust the quality of the Chinese HMI Arri clones, then look no further. In this detailed review I cover all of the pros and...
In-Depth Review: CAME-TV 1200 Watt HMI About: If you’re in the market for an HMI light but don’t know whether or not you can trust the quality of the Chinese HMI Arri clones, then look no further. In this detailed review I cover all of the pros and cons of...
In-Depth Review: CAME-TV CE-1500WS LED Light About: CAME-TV, among many other sellers from China, offers an LED fresnel-type light that may appeal tantalizing to some for it’s price point and admittedly it’s aesthetically pleasing construction. I decided...
VFX Pipeline Tutorial 02: Rendering Realistic Space Scenes About: In this tutorial I use 3DS Max and V-Ray and Adobe After Effects as I go through the basic process of crafting a scene for Star Trek – Horizon, a sci-fi feature film....
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